In conversation with Kiran Nadar Kiran Nadar is a collector and owner of the Kiran Nadar Museum of Art in New Delhi. ‘Saurashtra,’ takes pride of place at the museum.
Saurashtra S. H. Raza
What makes ‘Saurashtra’ so special?
I think Saurashtra is one of Raza’s most iconic works. When I saw the work physically, it had a phenomenal impact on me and I instantly knew that an important work like this had a place in my museum.
Your thoughts on abstract painting in India, and in particular, Raza’s contribution to it?
Traditionally Indian art is admired much more for its figurative works. There are few pure abstractionists like Gaitonde or Nasreen Mohammedi. Raza’s works are sometimes semi-abstract or landscapes, but this particular work has a definite abstraction element to it and the play of colours is very unique. Sometimes I liken Raza to Rothko and compare their values and I’m quite amazed that Indian artists haven’t achieved prices close to those that Western artists have. Raza’s control over colour and palette is simply phenomenal.
Which are the top three artworks at your museum?
Difficult for me to choose, but I suppose Bharti Kher’s elephant sculpture – ‘Skin speaks its own language’, Subodh Gupta’s – ‘Line of Control,’ and, of course – ‘Saurashtra.’
Untitled Vasudeo S. Gaitonde In conversation with Brahmal Vasudevan and Shanthi Kandiah Well-known collectors Brahmal Vasudevan and Shanthi Kandiah are of Sri Lankan origin, and currently live in Kuala Lumpur, Malaysia. Gaitonde’s ‘Untitled,’ is a highlight of their collection.
What made you acquire this work by Gaitonde?
At the point we acquired this work by Gaitonde, we had been collecting Indian art for about five years. We were ready for the perfect Gaitonde and when this came up; we knew we had to have it. Apart from being the perfect confluence of colour and form, this particular piece for us simmers with passion and the intellectual curiosity to explore, deconstruct, and create.
You two have a well-known affinity for Gaitonde’s work…
We consider ourselves lucky that this piece came along when it did. Gaitonde’s commitment to his art, his efforts to preserve his individualism, and commitment to perfection – all make up our fascination with his art. He epitomises the idea that the process is just as important as the result. Is the spiritual dimension in Gaitonde’s work important to you?
The beauty of Gaitonde’s pieces, for us, lies in the introspection they invite. The symbolisms are profound, mysterious and add to the layers of mystique and abstraction of his works.
NOV — DEC 2012
Which other abstract artists, Indian or international do you think is comparable to Gaitonde?
Mark Rothko and Joan Miro.